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Sunday
Sep232012

PUPPETS GIVE SPECTACULAR VOICE TO GROWING UP AT AVENUE Q

Childhood entertainment and wonder take command on the Cabot Theatre Stage at the Skylight Music Theatre this fall. In his final season as the Skylight’s Artistic Director, Bill Theisen opens with a tour de force production by Robert Lopez, Jeff Marx, and Jeff Whitty in the multiple Tony award winning Avenue Q.

Avenue Q sparks the imagination and senses on every level. Director Donna Drake flawlessly merges the personalities of nine puppets with their human counterparts alongside three adult human actors in perfect sync. The effect mesmerizes the audience while including mature subject material.

Within seconds from when the performance begins, the audience visually connects the puppet to its puppeteer because the actors expertly synchronize emotionally and physically to their puppet’s character. While Jim Henson’s early 1970’s The Muppet Show for television bridged all ages and featured human guests, Avenue Q’s puppets get down and dirty yet bring that same sophisticated humor to the theater. In this very adult production that reflects an innocent Sesame Street format, the juxtaposition of childhood antics with worldly subjects heightens the meaningful content.

The results unleash a cast performing with fantastic voices, especially the stunning Kate Margaret McCann, who was last seen in the Skylight’s Rent. The actress does double duty as Kate Monster and Lucy the Slut. Her teacher Kate and skanky alter ego, Lucy, become infatuated with Princeton, the college graduate who is left unemployed. In McCann’s soloes, “Special,” a pole dancing, sexy torch song, or her bittersweet ballad to love, “There’s a Fine, Fine Line,” the singer seduces the audience with her onstage presence.

McCann only leads other stellar performances by Ben Durocher as Princeton/Rod, Tiffany Yvonne Cox playing the human celebrity, Gary Coleman and Jason Jacoby in the role of Nicky/Trekkie Monster/ Bad Idea Bear. Maya Naff charms the audience playing Christmas Eve, an Asian American (instead of an Oriental as they sing “Everyone’s A Little Bit Racist”) who dazzles the audience in “The More You Ruv Someone.” She’s a great counterpoint for Rick Pendrich’s Brian, the husband to Christmas Eve. 

All the technical production elements star in this production, even when a fire drill unexpectedly went off opening night while the cast completed every line and cue unfazed. Costume Designer Barry Link and Lighting Designer Jason Fassl fashion an amazing confection for Christmas Eve’s wedding dress in one number. Set Designer Lisa Schlenker seamlessly incorporates videos into the street scenery, effective and unobtrusive while Milwaukee’s Music Director Jamie Johns conducts a five-piece band that bars none in accompanying the performance.

As adults sitting in the audience realize, transitions from childhood to college and from college to a professional identity dealing in capital ventures (or perhaps merely a consultant like Brian) incorporates a journey rift with unplanned challenges. Avenue Q brings them to light on stage sparing few niceties or euphuisms through dance, music and incomparable personal talents. Commandeering a puppet, acting, singing and dancing require the highest level of excellence, and this cast shines in every scene. 

Perhaps best of all, while these monsters, puppets, and personalities encounter the ups and downs to charting purpose and success they remember dreams eventually do come true. With "doing good," hard work, professionalism and perseverance, dreams appear when they least expect it. The Skylight knows this scenario well after surviving until its 54th season. So until “our dreams do come true,” find unlimited entertainment and inspiration alive on stage at the Skylight’s spectacular Avenue Q.

The Skylight Music Theatre presents the Tony award winning Avenue Q at the Broadway Theatre Center on the Cabot Theatre Stage through October 14. When the cast goes into the theater aisles to "pass the hat" during the The Money Song, please contribute because any donations will go to the Cream City Foundation, one of the productions sponsors. If you appreciate what you see, give generously. For further donations, information or tickets please call 414.291.7800 or click the link to the left.                   by Peggy Sue Dunigan

 

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